Submitted by sheldonkreger on Sun, 08/10/2014 - 15:10
I'm using a 6.5 x 14 Ludwig Supraphonic on my kit, and lately it's been feeling a bit flat. I can't get it to resonate the way I want it to. I can get a good 'crack' out of it. However, I don't get any of those whirling high's that I love.
After experimenting with tuning the batter snare drum head WAY up, I had almost given up. I blamed it on old heads. However, it turns out that all I needed to do was tune the resonant head higher. It was like magic!
Submitted by sheldonkreger on Mon, 08/04/2014 - 22:55
Have you ever wondered what your cymbals would look like if you actually took the time to clean them? How much of that gunk is going to come off? Are those layers of dust I hammered in permanently stuck in the cymbal grooves?
This is used to mount instruments like blocks, cowbells, and jingles in place to be played with a foot pedal. The feet have spikes that can be adjusted in and out of the rubber pads. The height of the mount can also be adjusted, plus the feet can be elevated to tilt the instrument forward. I own two and am very happy with them.
Submitted by sheldonkreger on Fri, 06/20/2014 - 22:25
Here, I present my 'top 10' choices in drum books. With such an abundance of incredible material for drummers today, choices on how we spend our practice time are very hard. These are the choices I've made top priority since I started playing in 2006. Follow the links to purchase on Amazon.
Submitted by sheldonkreger on Sun, 06/15/2014 - 15:31
Ryan Alexander Bloom has published a follow up to his first book on double bass drumming. While the first book explored double bass techniques from a conceptual level, this second book is a library of exercises to master the techniques explained in part 1.
Submitted by sheldonkreger on Sat, 06/14/2014 - 14:53
In the past, I've struggled with coming up with drum fill ideas off the top of my head. Oftentimes, it's hard to just work with three toms to create something that sounds interesting and not too 'drum-tastic'. In many cases, simply applying rudiments and moving your hands around the drum set sounds flat-out terrible. In addition, you can end up with awkward motions which result in slamming your sticks together or hitting rims at EXACTLY the wrong moment.
Submitted by sheldonkreger on Sat, 06/14/2014 - 13:46
Have you ever wanted a fast and effective way to get your body loose before you start playing? I know that my playing feels much better when my body is nimble and ready to respond.
You might not know, but my *other* hobby is Olympic-style weightlifting. That means my body HURTS all the time. It's a constant battle to keep it relaxed. In my sport, if you're not getting looser, you're getting tighter.